Design Samurai: Introduction

Design Samurai IntroIn the world of the Samu­rai, Miay­moto Musashi is one of the uncon­tested lead­ers in thought and dis­ci­pline. As design­ers what can we learn from Mushashi? As in all learn­ing we must start by under­stand­ing the past, not only the phys­i­cal truths of what has hap­pened, but the hows and whys as well. What were the events that lead up to the rev­o­lu­tion­ary changes, and what lim­i­ta­tions did they have that they had to overcome?

The samu­rai were thought of as the elite of soci­ety, when in fact most had no means of sup­port. If we want to be respected and thought of as “elite” we need to con­duct our­selves (in busi­ness and in life) with morals and integrity. It would be easy to say that the design world is in a state of civil war and chaos, not only with the con­stant bat­tle between print and inter­ac­tive, but also with the flux of chang­ing tech­nolo­gies in both arenas.

The cen­tury before Mushashi’s birth was ripe with civil war and chaos. Mushashi started on his path to becom­ing a samu­rai at age thir­teen, and by 16 was wan­der­ing the coun­try on his own. For most of his life he lived as a nomad trav­el­ing from dojo to dojo. Mushashi was also invested in all aspects of Bushido, the samu­rai code of con­duct, or “The Way of the War­rior.” As Mushashi was nomadic, a designer must be as well, learn­ing how to sur­vive in all dis­ci­plines and medi­ums. He trav­eled from dojo to dojo in an effort to learn, we too can learn from many sources. Edu­ca­tion does not stop with for­mal schooling.

Mushashi fought many duels using noth­ing more than a bokken (wooden sword). It is writ­ten that on April 14, 1612 he fought Sasaki Kojiro, mas­ter of the two-handed sword, again, with noth­ing but his bokken. After Kojiro made the first advance, Mushashi brought his bokken down onto the mas­ters head, killing him instantly. After this fight, they say that Mushashi never again used real swords in bat­tle, only his wooden sword. He was unbeat­able and from that time for­ward devoted him­self to under­stand­ing The Way of The Sword. Like Mushashi, we must not fall depen­dent upon the com­puter. It is only a tool. The real skill of deisgn comes from within us, it is the abil­ity to cre­ate imagery that mixes a strate­gic focus with un-blound cre­ativ­ity that is appro­pri­ate for both client and tar­get mar­ket alike. We also learn here that com­pe­ti­tion is a good thing. Set your­self up and be prea­pared to win or lose. Learn from the expe­ri­ence. Set your goals high. Attempt to take down the masters.

Mushashi started his own fenc­ing school where he per­fected his two-sword tech­nique, using both the katana (long sword) and the wak­iza­shi (short sword) simul­ta­ne­ously. This tech­nique, now know as Ni To Ichi Ryu, is said to have been inspired by his obser­va­tion of the hand move­ments of tem­ple drum­mers. It is a hum­ble and noble prac­tice to pass on the knowl­edge you have learned to the next gen­er­a­tion. Wether start­ing your own school, teach­ing at uni­ver­sity, or men­tor­ing younger design­ers, edu­ca­tion the next gen­er­a­tion is a nobel pur­suit. Also, keep an open mind and look every­where for inspi­ra­tion. Inspi­ra­tion is not only drawn from design annu­als, but from the world that lives all around you.

As Mushashi writes of him­self, it was not until the age of fifty that he achieved enlight­ened under­stand­ing of strat­egy. This shows us that you are never too old to learn, and that learn­ing is an ever involv­ing process.

In 1634 he retired from soci­ety and secluded him­self in a cave named Reigando where he com­posed Go Rin No Sho (The Book of Five Rings). Mushashi died in 1645, just a few days after com­ple­tion of his book.

Kendo, or “The Way of the Sword” is syn­ony­mous with nobil­ity. In Kendo, knowl­edge of mil­i­tary arts is con­sid­ered the high­est form of learned­ness. To Study Kendo means to learn the spirit of Shinto and to merge it with Zen prin­ci­ples. The Book of Five Rings by Miay­moto Musashi is con­sid­ered the bible of Kendo. In fur­ther entries I will take a closer look into each of the five books as well as other aspects of the way of the Samurai.

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